Lesson 10 of 14

Using a capo

Change keys without changing shapes. The acoustic guitarist's secret weapon for singing along.

A capo clamps across the neck and shifts your guitar up in pitch. Same shapes you already know, new key. Acoustic players use capos constantly to match a singer's range or to brighten the tone.

Deep-dive guide

Read the full guide

A longer write-up with every detail, drill, and common pitfall.

What it does

Capo on the 2nd fret + play a G shape = the chord G has moved up two frets, so it sounds like A. Capo on 5 + play C = the chord sounds like F.

Add the capo's fret number to whatever shape you're playing (in half-steps) to find the actual sounding chord.

Where to place the capo

Just behind the fret, not on top of it. If you put it on top of the metal fret, the strings rattle. Slightly behind, the fret does the work and the strings ring clean.

Capo charts

  • Capo 2, play in G shape → sounds in A
  • Capo 4, play in G shape → sounds in B
  • Capo 5, play in C shape → sounds in F
  • Capo 7, play in G shape → sounds in D
A lot of acoustic songs use a capo because the songwriter wrote it to match their vocal range. Hotel California (capo 7), Here Comes the Sun (capo 7), Hey There Delilah (no capo, but D and Bm shapes), Wonderwall (capo 2).
Deep-dive guide

Read the full guide

A longer write-up with every detail, drill, and common pitfall.

Try it

Capo on the 2nd fret. Play your G → C → D → Em cycle. You're now in the key of A. Same finger shapes, different sound.

Next: another classic, fingerpicked this time. House of the Rising Sun.

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