Lesson 9 of 14

Pentatonic shape 2 (and connecting from shape 1)

You know shape 1 (5th fret). Shape 2 sits right next to it.

In the Beginner track you played shape 1 of A minor pentatonic at the 5th fret. Today: shape 2, which starts where shape 1 ends.

Shape 1 (reminder)

A minor pentatonic, shape 1 (5th fret)
123456789101112131415EGACDEGCDEF#GACDGACDEGADEGACDEACDEFGACEGACDEGEBGDAE

This is what you already know. Five-note box centered around the 5th-8th frets.

Shape 2

A minor pentatonic, shape 2 (7th fret)
123456789101112131415EGACDEGCDEF#GACDGACDEGADEGACDEACDEFGACEGACDEGEBGDAE

Shape 2 starts at the 7th fret. Same notes (A, C, D, E, G) but at higher positions on the neck. Your fingers cover a different physical box, but the sound is the same minor-pentatonic sound.

How they connect

Look at the overlap: shape 1 ends with notes at the 8th fret on the low E and high e strings. Shape 2 begins with notes at the 8th fret on the low E and high e strings. The two shapes share notes. This is by design. You can slide from one shape into the other through these overlap notes.

The connection drill

Practice metronome
70BPM
  1. Play shape 1 ascending (low E up to high e) at the 5th fret.
  2. When you hit the 8th fret on the high e (last note of shape 1), slide up to the 10th fret using lesson 8's technique.
  3. You're now in shape 2. Play shape 2 descending (high e down to low E).
  4. When you reach the 8th fret on the low E (last note of shape 2), slide down to the 5th fret (back to shape 1).
Loop this for 10 minutes. The goal: shape 1 and shape 2 stop feeling like separate things. They are one continuous scale across two positions.

Apply it

Pull up any 12-bar-blues-in-A backing track on YouTube. Solo using both shapes, moving between them with slides. After a week, you'll feel like the 5th to 10th fret region is your territory.

Next: shapes 3, 4, 5. The rest of the neck.

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