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Boston

STELLA LEFTY · 120 BPM · 4/4

Boston

STELLA LEFTY

0:000:00
Capo

C

C✕321
 On a train baCck to Boston and we're jumpin' the gun
CAnd I'm tellGin' you, baby, "This the part where DmI'd run"
DmBut I lFike it when you're nice, like iCt when you're nice to me
CWell, there I was
CSwearin' I Dmwould never fall in love
DmAll my inhibiFtions walked out the secondC you said "What's up?"
CSo, here we go
CI'm throwin' oDut the thinDmgs I used to know
DmI hate toF admit it, but I guess IC'm not better alone
COn a train back to Boston and we're jumpin' the gun
CAnd I'm telliDmn' you, baby, "This the part wherе I'd run"
DmBut I lFike it when you're nicе, like iCt when you're nice to me
CI don't know where it's goin' but don't wanna go back
CAnd usuallDmy I'd leave right at the thought of that
DmBut I lFike it when you're nice, like it whenC you're nice to me
CWakin' up by your side
CI see it when tDmhe mornin' hits your eyes
DmYou don't want me to Fleave
FNever knew I would be thCis along for the ride
CLast monDmth, you were just another someone
DmBut now, Fwe're headin' back to wheGre you come from
GOn a traiCn back to Boston and we're jumpin' the gun
CAnd I'm teDmllin' you, baby, "This the part where I'd run"
DmBut I Flike it when you're nice, like Cit when you're nice to me
CI don't know where it's goin' but don't wanna go back
CAnd usuallDmy I'd leave right at the thought of that
DmBut I lFike it when you're nice, like it Cwhen you're nice to me
CI likDme it wheGn you'reC nice to me
CI likDme it whGen you'rCe nice to me
COn a train back to Boston and we're jumpin' the gun
CAnd I'm tellDmin' you, baby, "This the part where I'd run"
DmButF I like it when you're nice, like it when you're nice to me

Tap any line to jump

All Chords Used (5)
KeyC major
Tempo~120 BPM

How to play Boston by STELLA LEFTY on guitar

Boston is a great beginner song to learn because the progression feels familiar and steady, and it gives you a clean, upbeat groove to lock into. At about 120 BPM, it should feel lively but still very manageable once you settle into the pulse.

You only need open shapes here, so the left hand stays friendly and relaxed. The main change to watch is the move from G to Dm, then from Dm to F, since that shift can break the flow if you rush it.

Start by looping C - G - Dm - F slowly, making each change clean before worrying about speed. Then practice the same cycle with a steady count, and only bring it up to tempo when your fingers land on the shapes without hesitation.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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