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Marianne

Fontaines D.C. Ā· 120 BPM Ā· 4/4

Marianne

Fontaines D.C. Ā· Capo 4

0:000:00
CapoPlace capo at fret 4; pitch is unchanged.

F

F134211
FDream fogAm is DcallDming your man
DmYFou were wAmalkiDmng from the room
DmIFt’s all the same to Marianne
AmIf yoDu shoDmuld come along
Dmā€˜CFause all the world is in a way
FWe’re oAmnly movingDm on
F

♪ instrumental ♪

FThis year
FYou should comDme and stay here
DmYou can folAmlow my lead
AmI can help you disappear
AmCinematiFc feeling
FUnderstand thiDms is your life
DmYou can go Amon dreaming
AmYou can go under the knife
AmMarianFne
FThis could beD your fatal match
Dā€˜FCause I’Am wDired off the fuFel
FIf anybody got a one-waAmy pass?
AmDoes anyboDdy wanna thrFow
FDoes anybody got a one-way sleep?
FI know a Dmbody wanna go
F

♪ instrumental ♪

FThis year
FYou should comeDm and stay here
DmYou can foAmllow my lead
AmI can help you disappеar
AmCinFematic feeling
FUnderstand thiDms is your life
DmYou can go Amon drеaming
AmYou can go under the knife
AmMarFianne
FThis year
FYou should comDme and stay here
DmYou can foAmllow my lead
AmI can help you disappear
AmCinematicF feeling
FUnderstand thiDms is your life
DmYou can go Amon dreaming
AmYou can go under the knife
AmMariaFnne
FMarianne, oh Marianne, my dreams aDmre made from you (This year you should come aAmnd stay here)
AmMarianne, oh Marianne, you're dreaming of me too (You could follow my lead, I can help you disappeFar)
FMarianne, oh Marianne, my dreams are made from yDmou (Cinematic feeling, understand this is your lifAme)
AmMarianne, oh Marianne, you're dreaming of me too (You can go on dreaming, you can go under thFe knife)
Dm

♪ instrumental ♪

Tap any line to jump

All Chords Used (5)
KeyC# minor
CapoFret 4
Tempo~120 BPM

How to play Marianne by Fontaines D.C. on guitar

These are the sounding chords. With a capo on fret 4 you play F, Am, D, Dm, A, the shapes the player above shows.

ā€œMarianneā€ is a great beginner song because it has a steady pulse and a moody, driving feel that sits well under your fingers. You can focus on keeping the groove even and letting the changes carry the energy.

You’ll get one open shape in A, then move into barre shapes for C#m, F#, F#m, and C#. The main thing to watch is the shift from the open A into the first barre chord, since that change can feel like the biggest jump.

Start by looping A - C#m - F# - F#m slowly until each change feels clean. Then practice the barre shapes in pairs, especially C#m to F# and F# to F#m, before bringing it up to the full tempo.

Use the play-along above to follow each chord change in time with the music, or learn the shapes first with the chord diagrams below.

Looking for more? Browse the full guitar song library or explore chord diagrams.

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